REGRESS Kamloops, British Columbia
Jesse // Drums
Jordan // Bass
David // Guitars & Vocals
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supported by 5 fans who also own “Led to Extinction”
Comme Satan Worshipping Doom et Miserable, Terminal est un album qui vraiment toute son ampleur quand il est écouté d'une traite car il s'agit d'une lente agonie qui s'étend sur presque trois-quarts d'heure. Les sonorités psychédéliques propres à Bongripper sont absentes et le stoner/doom metal du quartette tend plutôt vers une sphère atmosphérique (certains arpèges de "Slow" ne sont pas éloignés de celles de Earth) voire funéraire et la mort finit par s'imposer comme la seule évidence possible.
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supported by 5 fans who also own “Led to Extinction”
Heavy, Loud, Riffs, Intense Vocals. What is there not to like about this fuckin band? Seriously amazing and well put together. Haggatha rips.
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supported by 5 fans who also own “Led to Extinction”
Every track sounds absolutely great and fantastic to my untrained ears but Eternal Sigh, Warpaint, Southern Sky & Alamut are probably the tracks I enjoyed most!!!
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Montreal bass-only sludge band Seum bring the brutality on their killer new EP, with clobbering low-end and deep, deep grooves.
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Seum / Fátima split 7'
by Seum / Fátima
Montreal sludge fiends Seum team with Parisian metallurgists Fátima for a thunderous split 7" full of rancorous grooves and nasty riffs.
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The Alberta crushers hold tight to their rank, astral-gazing grindcore, staring down abyssal torment all the while.
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Decay and Other Hopes Against Progress
by Chained to the Bottom of the Ocean
supported by 5 fans who also own “Led to Extinction”
Doom with it’s hand at your fucking throat!
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